“I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand, a hand of wires.”-Sylvia Plath, “Elm”
It haunts acutely when she travels alone. A girl, eyes fixated out and beyond, knifed by meaning and meaninglessness. The rhythmic lull of a Soviet era train hums her to thought and she looks through the window-frame to emptiness and beauty. Snowy fields tinted in orange and pink by the sunset, forest that stretches out in monotony, sights gulped by a wait-er, suffering the contraction of time and eternity. A guttural whisper is the only expression of this bursting, bursting, bursting.
There is more, there is more, there is more.
There is more, you know. It is your life to breathe the truth that there is more. There is meaning in the orange and pink tinted fields, in the rhythmic lull of the train, in the expanse that knifes you. There is more, so why, then, the tears? Why then, the grasping at a mirage of the flawed finite when the infinite is what is more…you know that it is your life to breathe the infinite and make Him known. Yet in the Russian train, in the car, in crunching through leaves on the trails of a college town, you curse the waiting.
You curse the waiting because all of this meaning is meaningless without that unknown someone you’ve dreamed of, storied, objectified and distorted into something like a god. Because the waiting is a curse, and unfair, and you are wilting and frantic. Because you have done all the things right and all the right things, all the years added up should be enough, and so your eyes rove in the waiting, pitying the self because she is not adored by someone whom she would make her god.
It is in the now, the waiting, that your life must be stale. It is in the now, in the waiting He is cursing you with, that you wonder why it haunts more and more in the mundane. There is always waiting, but you thought there was a time limit, because the waiting is worthless, and you have an expiration date. And Plath again gives you words: “I am inhabited by a cry. Nightly it flaps out Looking, with its hooks, for something to love. I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity.” The girl is greedy, and if she continues, she will suck the life out of another or spill her blood on the altar of self, spinning the story to sustain herself while she waits, unfaithfully.
But somehow, she is shaken from the ravenousness by simple truth. The truth comes in the soft yet sudden way that it came to Alyosha, the novice shaken out of his idealization through a suffering that led to hopeful reality: ”Some sort of idea, as it were, was coming to reign in his mind- now for the whole of his life and unto ages of ages. He fell to the earth a weak youth and rose up a fighter, steadfast for the rest of his life, and he knew it and felt it suddenly, in the moment of his ecstasy. Never, never in all his life would Alyosha forget that moment. ‘Someone visited my soul in that hour,’ he would say afterwards, with firm belief in his words…Three days later he left the monastery, which was also in accordance with the words of his late elder, who had bidden him to ‘sojourn the world.’” -Fyodor Dostoevsky, The Brothers Karamazov.
The monastery was, for Alyosha, a comfortable place, a place of safety, a place to view the world the way it had always made sense to view it. And through trial and disillusionment, when the mystical didn’t translate into everyday life, when Zosima was un-deified by the stench of death and humanity, only then could he truly understand the meaning of hope. And only then could he leave the place of comfortable ignorance filled with fantasies and embark on his true mission, which lay outside the monastery walls. The monastery was filled with truth, but its stagnancy also reinforced the lies that blinded Alyosha. The truth for the waiting girl: The waiting isn’t worthless. The waiting has meaning. The waiting points to the greater story, the greatest story.
Ann Voskamp’s words bathe the mind that has become soiled with cynicism: “Every tulip only blossoms after cold months of winter wait. Every human ever unfurled into existence through nine long months of the womb waiting. And the only kingdom that will last for eternity still waits, this millennia-long, unwavering-hope for return of its King. Instead of chafing, we accept that waiting is a strand in the DNA of the Body of Christ. That this waiting on God is the very real work of the people of God.” “This waiting on God is the very real work of the people of God.”
Every act of waiting can point to the most important waiting we will ever do, waiting for Christ’s return. And if marriage is a picture of Christ and the church, then the waiting for the fulfillment of good desires is a picture of our hope and expectation for the King to return and restore and herald in a joyful eternity. When I long, my natural inclination is to find a quick fix to douse the ache. To write my own story, to live in my imagination while cursing the reality that I am forced to live. What if I leaned into the longing and looked to Christ in hope, remembering that the hunger is indicative of the eternity and perfection I am waiting for? The longing can’t be filled by a person; it is a hunger pang for Christ that can only be fulfilled in him. But this longing will not be fulfilled completely in this life. May these pangs direct me the the waiting girl to the hope of the Truth. To be unsatisfied, to wait, to long, is not a curse, but a blessing, because in her little story, the girl can let her longings point to the greater story He has swept her into. A story that may be filled with suffering, but ends in joy. A story that on the hard days doubt may tarnish, but ends, indisputably, in confident faith.
Hebrews 11:13. All these people were still living by faith when they died. They did not receive the things promised; they only saw them and welcomed them from a distance, admitting that they were foreigners and strangers on earth.